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ProHeroes, was born in July 1990 in Nea Makri, a small town near the city of Athens. The first time he got his hands dirty with colors was around 2003, in a paint shop warehouse that belonged to his grandfather. It was there that he had his first experience with the art of stencil, painting and drawing. In 2006 he began his studies in Interior Design, a profession which he never actively engaged with. (more…)
New mural “HAPPY FAMILY” created by Jupiterfab next to next to the biggest market in Guadalajara. It is a reflection about the disconnection caused by digital technology, eating junk food, the overuse of digital apps. (more…)
To coincide with World Environment Day, Lithuanian Artist Ernest Zacharevic reveals ‘Transboundary Haze’, a new artwork in Kuala Lumpur launching a collaboration with Greenpeace, Splash and Burn and filmmakers Studiobirthplace. (more…)
“World in Progress” is a triptych created by French-Swiss landartist Saype. Painted at the UN headquarters in Geneva, New York and Nairobi, the three monumental paintings retrace the iterative creation of an ideal world by two children. (more…)
Inaugurated in Cremona the largest smog-eating mural in Europe: the aim of the participatory artwork is to raise countrywide awareness on the importance of the United Nations 2030 Agenda objectives. (more…)
Activist Graffiti artist / Palestinian- Jordanian born in 1990. Currently located in Jordan – Middle east. Mother & Acrylic Painter + Digital Illustrator!
As part of the ongoing effort to curb anti-Asian hate and raise awareness about the history of the Asian-American Diaspora, Lauren has painted this homage to Asian resilience in Chinatown, LA. (more…)
Pas Moi is a stencil artist based in Lyon (FRANCE) since 2020, playing most of the time with the details of his stencils on walls or on street furnitures. He paints mainly engaged artworks (humanist/social theme) and urban portraits, directly on the walls or with paper collages (also thanks to surprising installations, for example a TV panel stuck on a wall). (more…)
‘Subvertising,’ was chosen as a mode in order to highlight the intersections of art, design, and protest. It also foregrounds the semiotics by which state ideologies are naturalized and reproduced, and reasserts the design and visual culture fields as sites of change. (more…)