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Ladamenrouge, a French artist who creates in the streets has released in publicity his latest work : “When Ladamenrouge meets Dan Witz”. His main passion focuses on the streets by distorting spots on sidewalks, pavements, walls and includes many separate styles.
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The sadness for leaving Italy, is made to appear dark in this painting. Being became shadow, nothing more ….
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The anamorphic graffiti “OCTOPUS” painted at SAMO Space in Torino by Mach505, member of Truly Design collective.
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Russian art collective ZUKCLUB finish project ”THE DWARFS”. The artworks were recently finished somewhere on the streets of India. Moscow-based collective invaded the streets of Goa and Pune with this series of dwarfs murals.
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This wall has been titled “LIFE” by AXEL VOID , and is a part of the “Mediocre” series. It was organised by the Arecibo Street Art Project by Biksimo, in Puerto Rico. An emblymatic art creation that hides more than meets the eye. Video by Tostfilms
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January 6th 2015- As 2014 drew to a close, Bay Area artists, and frequent collaborators D Young V and Eddie Colla headed to Thailand to end the year on a decidedly different note. The plan was simple, there was no plan.
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Every one knows how street art has evolved into amazing artworks covering boring walls. Fact is, every one experiences in their daily life a simpler form of street art present in most cities. Stencils! Small, simple, dirty and daring little messages that preserve a status of their own.Whether its a little symbol or a sentence […]
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We have become well aware of the creative genious hidden inside French street artist Ladamenrouge. This time it was a pedestrian crossing street paint job that was missing which enlightened the artist to step in and fill the gap with his creativity.
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Skount’s latest mural “Cosmic Kiss” in Würzburg, Germany. This mural is inspired by Rembrandt´s painting (Isaac and Rebecca). The artist has illustrated in the mural two people in a marriage, transcending beyond physical in which both show their inner universe (in a metaphorical sense).
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